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v2.3
v2.3
  • OptiTrack Support Documentation
  • WHAT'S NEW
    • Unreal Engine: OptiTrack InCamera VFX
  • QUICK START GUIDES
    • Quick Start Guide: Getting Started
    • Quick Start Guide: Precision Capture
    • Quick Start Guide: Tutorial Videos
    • Quick Start Guide: Prime Color Setup
    • Quick Start Guide: Active Marker Tracking
    • Quick Start Guide: Outdoor Tracking Setup
  • HARDWARE
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        • V120:Duo
        • V120:Trio
        • V120:Duo and Trio Setup
        • Adjusting Global Origin for Tracking Bars
    • Prepare Setup Area
    • Camera Mount Structures
    • Camera Placement
    • Camera Network Setup
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  • MOTIVE
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    • Reference View pane
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  • PLUGINS
    • OptiTrack Unreal Engine Plugin
      • Unreal Engine: OptiTrack Live Link Plugin
      • Unreal Engine: OptiTrack Streaming Client Plugin
      • Unreal Engine: HMD Setup
      • Unreal Engine: MotionBuilder Workflow
      • Unreal Engine VCS Inputs
    • OptiTrack Unity Plugin
      • Unity: HMD Setup
    • OptiTrack OpenVR Driver
    • Autodesk Maya
      • Autodesk Maya: OptiTrack Insight VCS Plugin
    • Autodesk MotionBuilder
      • Autodesk MotionBuilder Plugin
      • Autodesk MotionBuilder: OptiTrack Skeleton Plugin
      • Autodesk MotionBuilder: OptiTrack Optical Plugin
      • Autodesk MotionBuilder: OptiTrack Insight VCS Plugin
      • Autodesk MotionBuilder: Timecode Data
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      • Houdini 19 Integration
  • ACTIVE COMPONENTS
    • Active Components Hardware
      • Active Puck
      • CinePuck
      • BaseStation
      • Information for Assembling the Active Tags
      • Manus Glove Setup
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      • Active Hardware Configuration: PuTTY
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      • Active Finger Marker Set
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  • SYNCHRONIZATION
    • Synchronization Hardware
      • External Device Sync Guide: eSync 2
      • External Device Sync Guide: OptiHub2
    • Synchronization Setup
    • OptiTrack Timecode
  • VIRTUAL PRODUCTION
    • Unreal Engine: OptiTrack InCamera VFX
    • Entertainment Marker Sets
    • PrimeX 41
  • MOVEMENT SCIENCES
    • Movement Sciences Hardware
      • General Motive Force Plate Setup
      • AMTI Force Plate Setup
      • Bertec Force Plate Setup
      • Kistler Force Plate Setup
      • Delsys EMG Setup
      • NI-DAQ Setup
      • Multiple Device Setup
      • Prime Color Setup
    • Movement Sciences Marker Sets
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      • Biomech (57)
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    • For Visual3D Users
  • VIRTUAL REALITY
    • VR Plugins
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        • OptiTrack Unreal Engine Plugin
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        • Unreal Engine VCS Inputs
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        • OptiTrack Unity Plugin
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    • VR HMD Setup
      • Unreal Engine: HMD Setup
      • Unity: HMD Setup
      • Manually Calibrating the HMD Pivot Point
      • Sync Configuration with an HTC Vive System
    • Navigation Controller Guide
    • SlimX 13
    • Active Marker Tracking
      • Active Finger Marker Set
      • Active Marker Tracking: IMU Setup
    • Synchronization Hardware
      • External Device Sync Guide: eSync 2
      • External Device Sync Guide: OptiHub2
  • ANIMATION
    • Autodesk Maya
      • Autodesk Maya: OptiTrack Insight VCS Plugin
    • Autodesk MotionBuilder
      • Autodesk MotionBuilder Plugin
      • Autodesk MotionBuilder: OptiTrack Skeleton Plugin
      • Autodesk MotionBuilder: OptiTrack Optical Plugin
      • Autodesk MotionBuilder: OptiTrack Insight VCS Plugin
      • Autodesk MotionBuilder: Timecode Data
  • ROBOTICS
    • PrimeX 22
    • Outdoor Tracking Setup
  • DEVELOPER TOOLS
    • Developer Tools Overview
    • NatNet SDK
      • NatNet 4.0
      • NatNet: Class/Function Reference
      • NatNet: Creating a Managed (C sharp) Client Application
      • NatNet: Creating a Native (C++) Client Application
      • NatNet: Data Types
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      • NatNet: Migration to NatNet 3.0 libraries
      • NatNet: RebroadcastMotiveData Sample
      • NatNet: Remote Requests/Commands
      • NatNet: Sample Projects
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      • Latency Measurements
    • Motive API
      • Motive API: Quick Start Guide
      • Motive API Overview
      • Motive API: Function Reference
      • Motive API Camera Calibration
    • Camera SDK
      • Camera SDK Classes
        • Class: cCameraGroupFilterSettings
        • Class: cCameraGroupMarkerSizeSettings
        • Class: cCameraGroupPointCloudSettings
        • Class: cCameraModule
        • Class: cRigidBodySettings
        • Class: cRigidBodySolutionTest
        • Class: cTTAPIListener
        • Class: cUID
  • MARKER SETS
    • Full Body
      • Baseline (37)
      • Baseline + Hinged Toe (41)
      • Baseline + Hinged Toe, with Headband (41)
      • Baseline + 13 Additional Markers (50)
      • Biomech (57)
      • Conventional (39)
    • Full Body + Fingers
      • Baseline + Hinged Toe + Fingers (49)
      • Baseline + 11 Additional Markers + Fingers (54)
      • Manus Glove Setup
    • Upper
      • Baseline Upper (25)
      • Baseline Upper Body + Fingers (33)
      • Conventional Upper (27)
    • Lower
      • Baseline Lower (20)
      • Helen Hayes Lower (19)
      • Conventional Lower (16)
    • Hand and Fingers
      • Left and Right Hand (11)
      • Active Finger Marker Set
    • Rizzoli Marker Sets
    • Entertainment Marker Sets
    • Rigid Body Skeleton Marker Set
  • GENERAL TROUBLESHOOTING
    • Troubleshooting
    • Running Motive on High DPI Displays
    • Firewall Settings
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On this page
  • Camera Clamps
  • Assembling the Clamps
  • Choosing the Mounting Structure
  • Truss
  • General steps
  • Tripods
  • Wall Mounts and Speed Rails
  • Tools Required
  • General Steps

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  1. HARDWARE

Camera Mount Structures

PreviousPrepare Setup AreaNextCamera Placement

Last updated 1 year ago

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Choosing an appropriate camera mounting solution is very important when setting up a capture volume. A stable setup not only prevents camera damage from unexpected collisions, but it also maintains calibration quality throughout capture. All OptiTrack cameras have ¼-20 UNC Threaded holes – ¼ inch diameter, 20 threads/inch – which is the industry standard for mounting cameras. Before planning the mount structures, make sure that you have optimized your plans.

Due to thermal expansion issues when mounted to walls, we recommend using Trusses or Tripods as primary mounting structures.

  • Trusses will offer the most stability and are less prone to unwanted camera movement for more accurate tracking.

  • Tripods alternatively, offer more mobility to change the capture volume.

  • Wall Mounts and Speed Rails offer the ability to maximize space, but are the most susceptible to vibration from HVAC systems, thermal expansion, earthquake resistant buildings, etc. This vibration can cause inaccurate calibration and tracking.

Camera Clamps

Camera clamps are used to fasten cameras onto stable mounting structures, such as a truss system, wall mounts, speed rails, or large tripods. There are some considerations when choosing a clamp for each camera. Most importantly, the clamps need to be able to bear the camera weight. Also, we recommend using clamps that offer adjustment of all 3 degrees of orientation: pitch, yaw, and roll. The stability of your mounting structure and the placement of each camera is very important for the quality of the mocap data, and as such we recommend using one of the mounting structures suggested in this page.

Assembling the Clamps

Manfrotto clamps come in three parts:

  • Manfrotto 035 Super Clamp

  • Manfrotto 056 3-Way, Pan-and-Tilt Head with 1/4"-20 Mount

  • Reversible Short Brass Stud

For proper assembly, please follow the steps below:

  1. Place the brass stud into the 16mm hexagon socket in the Manfrotto Super Clamp.

  2. Depress the spring-loaded button so the brass stud will lock into place.

  3. Tighten the safety pin mechanism to secure the brass stud within the hexagon socket. Be sure that the 3/8″ screw (larger) end of the stud is facing out.

  4. From here, attach the Super Clamp to the 3-Way, Pan-and-Tilt Head by screwing in the brass stud into the screw hole of the 3-Way, Pan-and-Tilt Head.

  5. Be sure to tighten these two components fairly tight as you don't want them to swivel when installing cameras. It helps to first tighten the 360° swivel on the 3-Way, Pan-and-Tilt Head as this will ensure that any unwanted swivel will not occur when tightening the two components together.

  6. Once, these two components are attached you should have a fully functioning clamp to attach your cameras to.

Choosing the Mounting Structure

Large scale mounting structures, such as trusses and wall mounts, are the most stable and can be used to reliably cover larger volumes. Cameras are well-fixed and the need for recalibration is reduced. However, they are not easily portable and cannot be easily adjusted. On the other hand, smaller mounting structures, such as tripods and C-clamps, are more portable, simple to setup, and can be easily adjusted if needed. However, they are less stable and more vulnerable to external impacts, which can distort the camera position and the calibration. Choosing your mounting structure depends on the capture environment, the size of the volume, and the purpose of capture. You can use a combination of both methods as needed for unique applications.

Truss

A truss system provides a sturdy structure and a customizable layout that can cover diverse capture volume sizes, ranging from a small volume to a very large volume. Cameras are mounted on the truss beam using the camera clamps.

General steps

  1. Follow the truss installation instruction and assemble the trusses on-site, and use the fastening pins to secure each truss segment.

    • Fasten the base truss to the ground.

    • Connect each of the segments and fix them by inserting a fastening pin.

  2. Attach clamps to the cameras.

  3. Mount the clamps to the truss beam.

Tripods

Tripods are portable and simple to install, and they are not restricted to the environment constraints. There are various sizes and types of tripods for different applications. In order to ensure its stability, each tripod needs to be installed on a hard surface (e.g. concrete). Usually, one camera is attached per tripod, but camera clamps can be used in combination to fasten multiple cameras along the leg as long as the tripod is stable enough to bear the weight. Note that tripod setups are less stable and vulnerable to physical impacts. Any camera movements after calibration will distort the calibration quality, and the volume will need to be re-calibrated.

Wall Mounts and Speed Rails

Wall mounts and speed rails are used with camera clamps to mount the cameras along the wall of the capture volume. This setup is very stable, and it has a low chance of getting interfered with by way of physical contact. The capture volume size and layout will depend on the size of the room. However, note that the wall, or the building itself, may slightly fluctuate due to the changing ambient temperature throughout the day. Therefore, you may need to routinely re-calibrate the volume if you are looking for precise measurements.

Below are recommended steps when installing speed rails onto different types of wall material. However, depending on your space, you may require alternative methods.

Although we have instructions below for installing speed rails, we highly recommend leaving the installation to qualified contractors.

Tools Required

General Tools

  • Cordless drill

  • Socket driver bits for drill

  • Various drill bits

  • Hex head Allen wrench set

  • Laser level

Speed Rail Parts

  • Pre-cut rails

  • Internal locking splice

  • 5" offset wall mount bracket

  • End caps (should already be pre-installed onto pipes)

  • Elbow speed rail bracket (optional)

  • Tee speed rail bracket (optional)

Wood Stud Setup

Wood frame studs behind drywall requires:

  • Pre-drilled holes.

  • 2 1/2" long x 5/16" hex head wood lag screws.

Metal Stud Framing Setup

Metal stud framing behind drywall requires:

  • Undersized pre-drilled holes as a marker in the drywall.

  • 2"long x 5/16" self tapping metal screws with hex head.

Metal studs can strip easily if pre-drilled hole is too large.

Concrete Block/Wall Setup

Requires:

  • Pre-drilled holes.

  • Concrete anchors inserted into pre-drilled hole.

  • 2 1/2" concrete lags.

Concrete anchors and lags must match for a proper fit.

General Steps

It's easiest and safest to install with another person rather than installing by a single person and especially necessary when rails have been pre-inserted into brackets prior to installing on a wall.

  1. Pre-drill bracket locations.

  2. If working in a smaller space, slip speed rails into brackets prior to installing.

  3. Install all brackets by the top lag first.

  4. Check to see if all are correctly spaced and level.

  5. Install bottom lags.

  6. Slip speed rails into brackets.

  7. Set screw and internal locking splice of speed rail.

  8. Attach clamps to the cameras.

  9. Attach the clamps to the rail.

Helpful Tips/Additional Information

  • The 5" offset wall brackets should not exceed 4' between each bracket.

  • Speed rails are shipped no longer than 8'.

  • Using blue painter's tape is a simple way to mark placement without messing up paint.

  • Make sure to slide the end of the speed rail without the end cap in first. If installed with the end-cap end first it will "mushroom" the end and make it difficult to slip brackets onto the speed rail.

  • Check brackets for any burs/sharpness and gently sand off to avoid the bracket scratching the finish on the speed rail.

  • To further reduce the bracket scratching the finish on the speed rail, use a piece of paper inside the bracket prior to sliding the speed rail through.

Here at OptiTrack, we recommend and provide Manfrotto clamps that have been tested and verified to ensure a solid hold on cameras and mounting structures. If you would like more information regarding Manfrotto clamps, please visit our page on our website or reach out to our .

Choosing an appropriate structure is critical in preparing the capture volume, and we recommend our customers consult our for planning a layout for the camera mount setup.

Consult with the truss system provider or our for setting up the truss system.

each camera.

each camera.

Mounts and Tripods
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camera placement
Insert brass stud and depress spring loaded safety pin mechanism.
Tighten the safety pin mechanism to secure the brass stud. Then connect the Manfrotto Super Clamp to the 3-Way, Pan-and-Tilt Head via the bras stud 3/8" screw.
Large volume truss setup.
Small volume truss setup.
Multiple Flex cameras mounted onto a tripod.
Speed rail with connector insert and bracket.
Prime cameras mounted onto a speed rail with tee bracket.
Flex 13 mounted onto a speed rail with elbow bracket and 5" offset wall bracket.