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When a force plate is selected in Motive, its device information gets listed under the Properties pane. For configuring force plate properties, use the Devices pane and modify the corresponding device properties.
For more information, read through the force plate setup pages:
Advanced Settings
The Properties: Force Plates contains advanced settings that are hidden by default. Access these settings by going to the menu on the top-right corner of the pane and clicking Show Advanced and all of the settings, including the advanced settings, will be listed under the pane.
The list of advanced settings can also be customized to show only the settings that are needed specifically for your capture application. To do so, go the pane menu and click Edit Advanced, and uncheck the settings that you wish to be listed in the pane by default. One all desired settings are unchecked, click Done Editing to apply the customized configurations.
Force Plate Group Properties:
Group policy is enforced for the force plates that are from the same vendors. This means most of the force plate properties are shared within the force plate groups. Shared settings include the enabled status, sampling rates, and sync modes. These settings should be configured the same for all force plates in most cases. If you need to disable a specific force plate among the group, this will need to be done by powering off the amplifier or disabling the device from the Windows Device Manager.
Enables or disables selected force plate. Only enabled force plates will be shown in Motive and be used for data collection.
Select whether the force plate is synchronized through a recording trigger. This must be set to Device when force plates are synchronized through recording trigger signal from the eSync. This must be set to None when synchronizing through a clock signal.
When set to true, the force plate system synchronizes by reference to an external clock signal. This must be enabled for the reference clock sync. When two systems syncs using the recording trigger, this must be turned off.
Indicates the output port on the eSync that is used for synchronizing the selected force plate. This must match the output port on the eSync that is connected to the force plate amplifier and sending out the synchronization signal.
Multiplier applied to the camera system frame rate. This is available only for triggered sync and can also be configured from the Devices pane. The resulting rate decides the sampling rate of the force plates.
Resulting data acquisition rate of the force plates. For reference clock sync setups, it will match the frequency of the clock signal. For triggered sync setups, this will match the multiple of the camera system frame rate.
Assigned number of the force plates.
Name of the Motive asset associated with the selected device. For Manus Glove integration, this must match the name of the Skeleton.
Name of the selected force plate.
Model number of the force plate
Force plate serial number.
Number of active channels available in the selected device. For force plates, this defaults to 6 with channels responsible for measuring 3-dimensional force and moment data.
Indicates the state that the force plate is in. If the force plate is streaming the data, it will be indicated Receiving Data. If the force plate is on standby for data collection, it will be indicated Ready.
Size scale of the resultant force vector shown in the 3D viewport.
Length of the force plate.
Width of the force plate.
Manufacturer defined electrical-to-mechanical offset values.
Lists out positions of the four force plate corners. Positions are measured with respect to the global coordinate system, and this is calibrated when you Set Position using the CS-400 calibration square.
Skeleton properties determine how Skeleton assets are tracked and displayed in Motive.
To view related properties, select a Skeleton asset in the Assets pane or in the 3D viewport, and the corresponding properties will be listed under the Properties pane. These properties can be modified both in Live and Edit mode. Default creation properties are listed under the Application Settings.
Advanced Settings
The Properties: Skeleton contains advanced settings that are hidden by default. Access these settings by going to the menu on the top-right corner of the pane and clicking Show Advanced and all of the settings, including the advanced settings, will be listed under the pane.
The list of advanced settings can also be customized to show only the settings that are needed specifically for your capture application. To do so, go the pane menu and click Edit Advanced, and uncheck the settings that you wish to be listed in the pane by default. One all desired settings are unchecked, click Done Editing to apply the customized configurations.
Shows the name of selected Skeleton asset.
Enables/disables both tracking of the selecting Skeleton and its visibility under the perspective viewport.
The minimum number of markers that must be tracked and labeled in order for a Rigid Body asset, or each Skeleton bone, to be booted or first tracked.
The minimum number of markers that must be tracked and labeled in order for a Rigid Body asset, or each Skeleton bone, to continue to be tracked after the initial boot.
[Advanced] Euler angle rotation order used for calculating the bone hierarchy.
Selects whether or not to display the Skeleton name in the 3D Perspective View.
Selects how the Skeleton will be shown in the 3D perspective view.
Segment: Displays Skeleton as individual Skeleton segments.
Avatar (male): Displays Skeleton as a male avatar.
Avatar (female): Displays Skeleton as a female avatar.
Sets the color of the Skeleton.
This feature is supported in Live mode and 2D mode only. When enabled, the color of the Skeleton segments will change whenever there are tracking errors.
Show or hide Skeleton bones.
[Advanced] Displays orientation axes of each segments in the Skeleton.
[Advanced] Shows the Asset Model Markers as transparent spheres on each Skeleton segment. The asset mode markers are the expected marker locations according to the Skeleton solve.
[Advanced] Draws lines between labeled Rigid Body or Skeleton markers and corresponding expected marker locations. This helps to visualize the offset distance between actual marker locations and the asset model markers.
[Advanced] Displays lines between each Skeleton markers and their associated Skeleton segments.
Applied double-exponential smoothing to translation and rotation of a Rigid Body or a skeletal bone. Disabled at 0.
Compensate for system latency by predicting bone movements into the future. For this feature to work best, smoothing needs to be applied as well. Disabled at 0.
[Advanced] When needed, you can damp down translational and/or rotational tracking of a Rigid Body or a Skeleton bone on selected axis.
The Properties pane can be accessed by clicking on the icon on the toolbar.
The Properties pane lists out the settings configured for selected objects. In Motive, each type of asset has a list of associated properties, and you can access and modify them using the Properties pane. These properties determine how the display and tracking of the corresponding items are done in Motive. This page will go over all of the properties, for each type of asset, that can be viewed or configured in Motive.
Properties will be listed for recorded Takes, Rigid Body assets, Skeleton assets, force plate device, and NI-DAQ device. Detailed descriptions on each corresponding properties are documented on the following pages:
Selected Items
The Properties pane contains advanced settings that are hidden by default. Access these settings by going to the menu on the top-right corner of the pane and clicking Show Advanced and all of the settings, including the advanced settings, will be listed under the pane.
The list of advanced settings can also be customized to show only the settings that are needed specifically for your capture application. To do so, go the pane menu and click Edit Advanced, and uncheck the settings that you wish to be listed in the pane by default. One all desired settings are unchecked, click Done Editing to apply the customized configurations.
Rigid body properties determine how the corresponding Rigid Body asset is tracked and displayed in the viewport.
To view related properties, select a Rigid Body asset in the Assets pane or in the 3D viewport, and the corresponding properties will be listed under the Properties pane. These properties can be modified both in Live and Edit mode. Default creation properties are listed under the Application Settings.
Advanced Settings
The Properties: Rigid Body contains advanced settings that are hidden by default. Access these settings by going to the menu on the top-right corner of the pane and clicking Show Advanced and all of the settings, including the advanced settings, will be listed under the pane.
The list of advanced settings can also be customized to show only the settings that are needed specifically for your capture application. To do so, go the pane menu and click Edit Advanced, and uncheck the settings that you wish to be listed in the pane by default. One all desired settings are unchecked, click Done Editing to apply the customized configurations.
Allows a custom name to be assigned to the Rigid Body. Default is "Rigid Body X" where x is the Rigid Body ID.
Enables/Disables tracking of the selected Rigid Body. Disabled Rigid Bodies will not be tracked, and its data will not be included in the exported or streamed tracking data.
User definable ID for the selected Rigid Body. When working with capture data in the external pipeline, this value can be used to address specific Rigid Bodies in the scene.
The minimum number of markers that must be tracked and labeled in order for a Rigid Body asset, or each Skeleton bone, to be booted or first tracked.
The minimum number of markers that must be tracked and labeled in order for a Rigid Body asset, or each Skeleton bone, to continue to be tracked after the initial boot.
_[Advanced]_The order of the Euler axis used for calculating the orientation of the Rigid Body and Skeleton bones. Motive computes orientations in Quaternion and converts them into an Euler representation as needed. For exporting specific Euler angles, it's recommended to configure it from the Exporter settings, or for streaming, convert Quaternion into Euler angles on the client-side.
Selects whether or not to display the Rigid Body name in the 3D Perspective View. If selected, a small label in the same color as the Rigid Body will appear over the centroid in the 3D Perspective View.
Show the corresponding Rigid Body in the 3D viewport when it is tracked by the camera system.
Color of the selected Rigid Body in the 3D Perspective View. Clicking on the box will bring up the color picker for selecting the color.
For Rigid Bodies, this property shows, or hides, visuals of the Rigid Body pivot point.
[Advanced] Enables the display of a Rigid Body's local coordinate axes. This option can be useful in visualizing the orientation of the Rigid Body, and for setting orientation offsets.
Shows a history of the Rigid Body’s position. When enabled, you can set the history length and the tracking history will be drawn in the Perspective view.
Shows the Marker Constraints as transparent spheres on the Rigid Body. Asset mode markers are the expected marker locations according to the Rigid Body solve.
Draws lines between labeled Rigid Body or Skeleton markers and corresponding expected marker locations. This helps to visualize the offset distance between actual marker locations and the Marker Constraints.
[Advanced] When enabled, all markers that are part of the Rigid Body definition will be dimmed, but still visible, when not present in the point cloud.
When a valid geometric model is loaded in the Attached Geometry section, the model will be displayed instead of a Rigid Body when this entry is set to true.
Attached Geometry setting will be visible if the Replace Geometry setting is enabled. Here, you can load an OBJ file to replace the Rigid Body. Scale, positions, and orientations of the attached geometry can be configured under the following section also. When a OBJ file is loaded, properties configured in the corresponding MTL files alongside the OBJ file will be loaded as well.
Attached Geometry Settings
When the Attached Geometry is enabled, you can attach a 3D model to a Rigid Body and the following setting will be available also.
Pivot Scale: Adjusts the size of the Rigid Body pivot point.
Scale: Rescales the size of attached object.
Yaw (Y): Rotates the attached object in respect to the Y-axis of the Rigid Body coordinate axis.
Pitch (X): Rotates the attached object in respect to the X-axis of the Rigid Body coordinate axis.
Roll (Z): Rotates the attached object in respect to the Z-axis of the Rigid Body coordinate axis.
X: Translate the position of attached object in x-axis in respect to the Rigid Body coordinate.
Y: Translate the position of attached object in y-axis in respect to the Rigid Body coordinate.
Z: Translate the position of attached object in z-axis in respect to the Rigid Body coordinate.
Opacity: Sets the opacity of an attached object. An OBJ file typically comes with a corresponding MTL file which defines its properties, and the transparency of the object is defined within these MTL files. The Opacity value under the Rigid Body properties applies a factor between 0 ~ 1 in order to rescale the loaded property. In other words, you can set the transparency in the MTL file and rescale them using the Opacity property in Motive.
If you are exporting an OBJ file from Maya, you will need to make sure the Ambient Color setting is set to white upon export. If this color is set to black, it will result in removing textures when a Rigid Body is deselected.
IMU feature is not fully supported in Motive 3.x. Please use Motive 2.3 for using IMU active components.
Uplink ID assigned to the Tag or Puck using the Active Batch Programmer. This ID must match with the Uplink ID assigned to the Active Tag or Puck that was used to create the Rigid Body.
Radio frequency communication channel configured on the Active Tag, or Puck, that was used to define the corresponding Rigid Body. This must match the RF channel configured on the active component; otherwise, IMU data will not be received.
Applies double exponential smoothing to translation and rotation of the Rigid Body. Increasing this setting may help smooth out noise in the Rigid Body tracking, but excessive smoothing can introduce latency. Default is 0 (disabled).
Compensate for system latency when tracking of the corresponding Rigid Body by predicting its movement into the future. Please note that predicting further into the future may impact the tracking stability.
[Advanced] When needed, you can damp down translational and/or rotational tracking of a Rigid Body or a Skeleton bone on selected axis.
Important Note
Please note that the OptiHub2 is not designed for precise synchronization with external devices. It is used to provide only a rough synchronization to a trigger event on the input/output signal. Using an OptiHub2, there will be some amount of time delay between the trigger events and the desired actions, and for this reason, the OptiHub2 is not suitable for the precisely synchronizing to an external device. To accomplish such synchronization, it is recommended to use the eSync 2 instead along with an Ethernet camera system.
By modifying the device properties of the OptiHub, users can customize the sync configurations of the camera system for implementing external devices in various sync chain setups. This page directly lists out the properties of the OptiHub. For general instructions on customizing sync settings for integrating external devices, it is recommended to read through the External Device Sync Guide: OptiHub 2 guide.
While the OptiHub is selected under the Devices pane, use the Properties pane to view and configure its properties. By doing so, users can set the parent sync source for the camera system, configure how the system reacts to input signals, and also which signals to output from the OptiHub for triggering other external acquisition devices.
This option is only valid if the Sync Input: Source is set to Internal Sync. Controls the frequency in Hertz (Hz) of the OptiHub 2's internal sync generator. Valid frequency range is 8 to 120 Hz.
This option is only valid if the Sync Input: Source is set to Sync In or USB Sync_. Controls synchronization delay in microseconds (us) between the chosen sync source signal and when the cameras are actually told to expose. This is a global system delay that is independent of, and in addition to, an individual camera's exposure delay setting. Valid range is 0 to 65862 us, and should not exceed one frame period of the external signal._
To setup the sync input signals, first define a input Source and configure desired trigger settings for the source:
Internal/Wired sets the OptiHub 2 as the sync source. This is the default sync configuration which uses the OptiSync protocol for synchronizing the cameras. The Parent OptiHub 2 will generate an internal sync signal which will be propagated to other (child) OptiHub 2(s) via the Hub Sync Out Jack and Hub Sync In Jack. For V100:R1(legacy) and the Slim 3U cameras, Wired Sync protocol is used. In this mode, the internal sync signal will still be generated but it will be routed directly to the cameras via daisy-chained sync cables.
Sync In sets an external device as the sync source.
USB Sync sets an external USB device as the sync source. This mode is for customers who use the Camera SDK development kits and would like to have their software trigger the cameras instead. Using the provided API, the OptiHub 2 will be send the trigger signal from the PC via the OptiHib 2's USB uplink connection to the PC.
The Internal/Wired input source uses the OptiHub 2's internal synchronization generator as the main sync source. You can modify the synchronization frequency for both Wired and OptiSync protocol under the Synchronization Control section. When you adjust the system frame rate from this panel, the modified frame rate may not be reflected on the Devices pane. Check the streaming section of the status bar for the exact information.
This option is only valid if the Sync Input: Source is set to Internal Sync. Controls the frequency in Hertz (Hz) of the OptiHub 2's internal sync generator, and the this frequency will control the camera system frame rate. Valid frequency range is 8 to 120 Hz.
The Sync In input source setting uses signals coming into the input ports of the OptiHub 2 to trigger the synchronization. Please refer to External Device Sync Guide: OptiHub 2 page for more instructions on this.
Detects and displays the frequency of the sync signal that's coming through the input port of the parent OptiHub 2, which is at the very top of the RCA sync chain. When sync source is set to Sync In, the camera system framerate will be synchronized to this input signal. Please note that OptiHub 2 is not designed for precise sync, so there may be slight sync discrepancies when synchronizing through OptiHub 2.
Manually adds global sync time offset to how camera system reacts to the received input signal. The input unit is measured in microseconds.
Can select from Either Edge, Rising Edge, Falling Edge, Low Gated, or High Gated signal from the connected input source.
Allows a triggering rate compatible with the camera frame rate to be derived from higher frequency input signals (e.g. 300Hz decimated down to 100Hz for use with a V100:R2 camera). Valid range is 1 (no decimation) to 15 (every 15th trigger signal generates a frame).
(The camera system will be the child) sets an external USB device as the sync source. This mode is for customers who use the Camera SDK development kits and would like to have their software trigger the cameras instead. Using the provided API, the OptiHub 2 will be send the trigger signal from the PC via the OptiHib 2's USB uplink connection to the PC.
Detects and displays the frequency of the parent source.
Allows the user to allow or block trigger events generated by the internal sync control. This option has been deprecated for use in the GUI. Valid options are Gate-Open and Gate-Closed.
Allows a triggering rate compatible with the camera frame rate to be derived from higher frequency input signals (e.g. 360Hz decimated down to 120Hz for use with a Flex 13 camera). Valid range is 1 (no decimation) to 15 (every 15th trigger signal generates a frame).}}
Sync signals can also be sent out through the output ports of the OptiHub 2 to child devices in the synchronization chain. Read more: External Device Sync Guide: OptiHub 2.
Selects condition and timing for a pulse to be sent out over the External Sync Out jack. Available Types are: Exposure Time, Pass-Through, Recording Level, and Recording Pulse.
Polarity
Selects output polarity of External Sync Out signal. Valid options are: Normal and Inverted. Normal signals are low and pulse high and inverted signals are high and pulse low.
When an NI-DAQ device is selected in Motive, its device information gets listed under the Properties pane. Just basic information on the used device will be shown in the Properties pane. For configuring properties of the device, use the Devices pane.
For more information, read through the NI-DAQ setup page: NI-DAQ Setup.
Advanced Settings
The Properties: NI-DAQ contains advanced settings that are hidden by default. Access these settings by going to the menu on the top-right corner of the pane and clicking Show Advanced and all of the settings, including the advanced settings, will be listed under the pane.
The list of advanced settings can also be customized to show only the settings that are needed specifically for your capture application. To do so, go the pane menu and click Edit Advanced, and uncheck the settings that you wish to be listed in the pane by default. One all desired settings are unchecked, click Done Editing to apply the customized configurations.
Only enabled NI-DAQ devics will be actively measuring analog signals.
This setting determines how the recording of the selected NI-DAQ device will be triggered. This must be set to None for reference clock sync and to Device for recording trigger sync.
None: NI-DAQ recording is triggered when Motive starts capturing data. This is used when using the reference clock signal for synchronization.
Device: NI-DAQ recording is triggered when a recording trigger signal to indicate the record start frame is received through the connected input terminal.
(available only when Trigger Sync is set to Device) Name of the NI-DAQ analog I/O terminal where the recording trigger signal is inputted to.
This setting sets whether an external clock signal is used as the sync reference. For precise synchronization using the internal clock signal sync, set this to true.
True: Setting this to true will configure the selected NI-DAQ device to synchronize with an inputted external sample clock signal. The NI-DAQ must be connected to an external clock output of the eSync on one of its digital input terminals. The acquisition rate will be disabled since the rate is configured to be controlled by the external clock signal.
False: NI-DAQ board will collect samples in 'Free Run' mode at the assigned Acquisition Rate.
(available only when Reference Clock Sync is set to True) Name of the NI-DAQ digital I/O terminal that the external clock (TTL) signal is inputted to.
Set this to the output port of the eSync where it sends out the internal clock signal to the NI-DAQ.
Shows the acquisition rate of the selected NI-DAQ device(s).
Depending on the model, NI-DAQ devices may have different sets of allowable input types and voltage ranges for their analog channels. Refer to your NI-DAQ device User's Guide for detailed information about supported signal types and voltage ranges.
(Default: -10 volts) Configure the terminal's minimum voltage range.
(Default: +10 volts) Configure the terminal's maximum voltage range.
Configures the measurement mode of the selected terminal. In general, analog input channels with screw terminals use the single-ended measurement system (RSE), and analog input channels with BNC terminals use the differential (Diff) measurement system. For more information on these terminal types, refer to NI documentation.
Terminal: RSE Referenced single ended. Measurement with respect to ground (e.g. AI_GND) (Default)
Terminal: NRSE NonReferenced single ended. Measurement with respect to single analog input (e.g. AISENSE)
Terminal: Diff Differential. Measurement between two inputs (e.g. AI0+, AI0-)
Terminal: PseudoDiff Differential. Measurement between two inputs and impeded common ground.
[Advanced] Name of the selected device.
Device model ID, if available.
Device serial number of the selected NI-DAQ assigned by the manufacturer.
Type of device.
Total number of available channels on the selected NI-DAQ device.
_[Advanced]_What mode of Motive playback being used.
Whether the device is ready or not.
Tristate status of either Need Sync, Ready for Sync, or Synced. Updates the "State" icon in the Devices pane.
[Advanced] Internal device number.
User editable name of the device.
When a camera, or a camera group, is selected from the Devices pane, related camera settings will be displayed in the Properties pane. From the Properties pane, you can configure the camera settings so that it is optimized for your capture application. You can enable/disable IR LEDs, change exposure length of the cameras, set the video mode, apply gain to the capture frames, and more. This page lists out properties of the cameras and what they are used for.
Advanced Settings
The Properties: Camera contains advanced settings that are hidden by default. Access these settings by going to the menu on the top-right corner of the pane and clicking Show Advanced and all of the settings, including the advanced settings, will be listed under the pane.
The list of advanced settings can also be customized to show only the settings that are needed specifically for your capture application. To do so, go the pane menu and click Edit Advanced, and uncheck the settings that you wish to be listed in the pane by default. One all desired settings are unchecked, click Done Editing to apply the customized configurations.
Enables/disables selected cameras. When cameras are disabled, they don't record any data nor contribute to the reconstruction of 3d data.
Shows the frame rate of the camera. The camera frame rate can only be changed within the devices pane.
This setting determines whether or not selected cameras contribute to the real-time reconstruction.
Shows the rate multiplier or divider applied to the master frame rate. The master frame rate depends on the sync configuration.
Sets the amount of time that the camera exposes per frame. The minimum and maximum values will depend on both the type of camera and the frame rate. Higher exposure will allow more light in, creating a brighter image that can increase visibility for small and dim markers. However, setting exposure too high can introduce false markers, larger marker blooms, and marker blurring--all of which can negatively impact marker data quality. Exposure value is measured in scanlines for tracking bars and Flex3 series cameras, and in microseconds for Flex13, S250e, Slim13E, and Prime Series cameras.
Defines the minimum brightness for a pixel to be seen by a camera, with all pixels below the threshold being ignored. Increasing the threshold can help filter interference by non-markers (e.g. reflections and external light sources), while lowering the threshold can allow dimmer markers to be seen by the system (e.g. smaller markers at longer distances from the camera).
[Advanced] When calibrating multi-room spaces, you can partition select cameras to allow for Continuous Calibration to collect samples from each room and calibrate even when there is no camera overlap between spaces. This creates the ability to have several capture volumes tied to a single system while maintaining continuously calibrated cameras for each space.
This setting enables or disables the IR LED ring on selected cameras. For tracking passive retro-reflective markers, this setting must be set to true to illuminate the IR LED rings for tracking. If the IR illumination is too bright for the capture, you can decrease the camera exposure setting to decrease the amount of light received by the imager; dimming the overall captured frames.
Sets the video type of the selected camera.
Sets the camera to view either visible or IR spectrum on cameras equipped with a Filter Switcher. When enabled, the camera captures in IR spectrum, and when disabled, the camera captures in visible spectrum.Infrared Spectrum should be selected when the camera is being used for marker tracking applications. Visible Spectrum can optionally be selected for full frame video applications, where external, visible spectrum lighting will be used to illuminate the environment instead of the camera’s IR LEDs. Common applications include reference video and external calibration methods that use images projected in the visible spectrum.
Sets the imager gain level for the selected cameras. Gain settings can be adjusted to amplify or diminish the brightness of the image. This setting can be beneficial when tracking at long ranges. However, note that increasing the gain level will also increase the noise in the image data and may introduce false reconstructions. Thus, before deciding to change the gain level, adjust the camera settings first to optimize the image clarity.
[Advanced] This property indicates whether the selected camera has been calibrated or not. This is just an indication of whether the camera has been processed through the calibration wanding, but it does not validate the quality of the camera calibration.
Basic information about the selected camera gets listed in the Details section
Displays the camera number assigned by Motive.
Displays the model of a selected camera.
Displays the serial nubmer of a selected camera.
Displays focal length of the lens on the selected camera.
When this is enabled, the estimated field of view (FOV) of the selected camera will be shown in the perspective viewport.
Show of hide frame delivery information from the selected camera. The frame delivery information is used for diagnosing how fast each camera is delivering its frame packets. When enabled, the frame delivery information will be shown in the camera views.
Show or hide the guide reticle when using the Aim Assist button for aiming the cameras.
Prime color cameras also have the following properties that can be configured:
Default: 1920, 1080
This property sets the resolution of the images that are captured by selected cameras. Since the amount of data increases with higher resolution, depending on which resolution is selected, the maximum allowable frame rate will vary. Below is the maximum allowed frame rates for each respective resolution setting.
Default: Constant Bit Rate.
This property determines how much the captured images will be compressed. The Constant Bit-Rate mode is used by default and recommended because it is easier to control the data transfer rate and efficiently utilize the available network bandwidth.
Constant Bit-Rate
In the Constant Bit-Rate mode, Prime Color cameras vary the degree of image compression to match the data transmission rate given under the Bit Rate settings. At a higher bit-rate setting, the captured image will be compressed less. At a lower bit-rate setting, the captured image will be compressed more to meet the given data transfer rate, but compression artifacts may be introduced if it is set too low.
Variable Bit-Rate
Variable Bit-Rate setting is also available for keeping the amount of the compression constant and allowing the data transfer rate to vary. This mode can be beneficial when capturing images with objects that have detailed textures because it keeps the amount of compression same on all frames. However, this may introduce dropped frames whenever the camera tries to compress highly detailed images because it will increase the data transfer rate; which may overflow the network bandwidth as a result. For this reason, we recommend using the Constant Bit-Rate setting in most applications.
Default: 50
Available only while using Constant Bit-rate Mode
Bit-rate setting determines the transmission rate outputted from the selected color camera. The value given under this setting is measured in percentage (100%) of the maximum data transmission speed, and each color camera can output up to ~100 MBps. In other words, the configured value will indirectly represent the transmission rate in Megabytes per second (MBps). At bit-rate setting of 100, the camera will capture the best quality image, however, it could overload the network if there is not enough bandwidth to handle the transmitted data.
Since the bit-rate controls the amount of data outputted from each color camera, this is one of the most important settings when properly configuring the system. If your system is experiencing 2D frame drops, it means one of the system requirements is not met; either network bandwidth, CPU processing, or RAM/disk memory. In such cases, you could decrease the bit-rate setting and reduce the amount of data output from the color cameras.
Image Quality
The image quality will increase at a higher bit-rate setting because it records a larger amount of data, but this will result in large file sizes and possible frame drops due to data bandwidth bottleneck. Often, the desired result is different depending on the capture application and what it is used for. The below graph illustrates how the image quality varies depending on the camera framerate and bit-rate settings.
Tip: Monitoring data output from each camera
Default : 24
Gamma correction is a non-linear amplification of the output image. The gamma setting will adjust the brightness of dark pixels, mid-tone pixels, and bright pixels differently, affecting both brightness and contrast of the image. Depending on the capture environment, especially with a dark background, you may need to adjust the gamma setting to get best quality images.
When a is selected from the , related information will be displayed in the .
From the Properties pane, you can get the general information about the Take, including the total number of recorded frames, capture data/time, and the list of assets involved in the recording. Also, when needed, the solver settings that were used in the recorded TAK can be modified, and these changes will be applied when performing post-processing reconstruction.
Take name
The camera frame rate in which the take was captured. The Take file will contain the corresponding number of frames for each second.
The frame ID of the first frame saved on the Take.
The frame ID of the last frame saved on the Take.
A timestamp of when the recording was first captured started.
A timestamp of when the recording was ended.
Names of assets that are included in the Take
Comments regarding the take can be noted here for additional information.
Date and time when the capture was recorded.
The version of Motive which the Take was recorded in. (This applies only to Takes that were captured in versions 1.10 or above)
The build of Motive which the Take was recorded in.
The data quality of the Take which can be flagged by users.
Progress indicator for showing how into the post-processing workflow that this Take has made.
Camera system calibration details for the selected Take. Takes recorded in older versions of Motive may not contain this data.
Shows when the cameras were calibrated.
Displays a mean error value of the detected wand length samples throughout the wanding process.
Displays percentile distribution of the wand errors.
Shows what type of wand was used: Standard, Active, or Micron series.
Displays the length of the calibration wand used for the capture.
Distance from one of the end markers to the center marker, specifically the shorter segment.
By modifying the device properties of the eSync, users can customize the sync configurations of the camera system for implementing various sync chain setups.
While the eSync is selected under the , use the to monitor the eSync properties. Here, users can configure the parent sync source of the camera system and also the output sync signals from the eSync for integrating child devices (e.g. ). For a specific explanation on steps for synchronizing external devices, read through the following page: .
Configure the input signal by first defining which input source to use. Available input sources include Internal Free Run, Internal Clock, SMPTE Timecode In, Video Gen Lock, Inputs (input ports), Isolated, VESA Stereo In, and Reserved. Respective input configurations appear on the pane when a source is selected. For each selected input source, the signal characteristics can be modified.
Synchronization Input Source Options
Controls the frequency of the eSync 2's internal sync generator when using the internal clock.
Introduces an offset delay, in microsecond, to selected trigger signal.
Sets the trigger mode. Available modes are Either Edge, Rising Edge, and Falling Edge, and each of them uses the corresponding characteristic of the input signal as a trigger.
Allows a triggering rate, compatible with the camera frame rate, to be derived from higher frequency input signals.
Allows a triggering rate, compatible with the camera frame rate, to be derived from lower frequency input signals. Available multiplier range: 1 to 15.
Displays the final rate of the camera system.
eSync2 ports vs eSync ports
In the eSync2, three general input ports are implemented in place of Lo-Z and Hi-Z input ports from the eSync. These general input ports are designed for high impedance devices, but low impedance devices can also be connected with appropriate adjustments. When the eSync 2 is connected to the system, options for Lo-Z and Hi-Z will be displayed.
Lo-Z input: Sets an external low impedance device as the trigger. The max signal voltage cannot exceed 5 Volts.
Hi-Z input: Sets an external high impedance device as the trigger. The max signal voltage cannot exceed 5 Volts.
Allows you to configure signal type and polarity of synchronization signal through the output ports, including the VESA stereo output port, on the eSync 2.
Type: Defines the output signal type of the eSync 2. Use this to sync external devices to the eSync 2.
Polarity: Change the polarity of the signal to normal or inverted. Normal signals constantly output a low signal and pulses high when triggering. Inverted signals constantly output a high signal and pulse low when triggering.
Output Signal Types
Trigger Source: Determines which trigger source is used to initiate the recording in Motive. Available options are Software, Isolated, and Inputs. When the trigger source set to software, recording is initiated in Motive.
With the eSync 2, external triggering devices (e.g. remote start/stop button) can integrate into the camera system and set to trigger the recording start and stop events in Motive. Such devices will connect to input ports of the eSync 2 and configured under the Record Triggering section of the eSync 2 properties.
By default, the remote trigger source is set to Software, which is the record start/stop button click events in Motive. Set the trigger source to the corresponding input port and select an appropriate trigger edge when an external trigger source (Trigger Source → isolated or input) is used. Available trigger options include Rising Edge, Falling Edge, High Gated, or Low Gated. The appropriate trigger option will depend on the signal morphology of the external trigger. After the trigger setting have been defined, press the recording button in advance. It sets Motive into a standby mode until the trigger signal is detected through the eSync. When the trigger signal is detected, Motive will start the actual recording. The recording will be stopped and return to the 'armed' state when the second trigger signal, or the falling edge of the gated signal, is detected.
Under the Record Triggering section, set the source to the respective input port where the trigger signal is inputted.
Choose an appropriate trigger option, depending on the morphology of the trigger signal.
Press the record button in Motive, which prepares Motive for recording. At this stage, Motive awaits for an incoming trigger signal.
When the first trigger is detected, Motive starts recording.
When the second trigger is detected, Motive stops recording and awaits for next trigger for repeated recordings. For High Gated and Low Gated trigger options, Motive will record during respective gated windows.
Once all the recording is finished, press the stop button to disarm Motive.
Input Monitor displays the corresponding signal input frequency. This feature is used to monitor the synchronization status of the signals into the eSync 2.
Displays the frequency of the Internal Clock in the eSync 2.
Displays the frequency of the timecode input.
Displays the frequency of the video genlock input.
Displays the frequency of the input signals into the eSync 2.
Displays the frequency of the external low impedance sync device.
Displays the frequency of the external high impedance sync device.
Display the frequency of the external generic sync device.
For internal use only.
Synchronization Input Source Options
Controls the frequency of the eSync 2's internal sync generator when using the internal clock.
Introduces an offset delay, in microsecond, to selected trigger signal.
Sets the trigger mode. Available modes are Either Edge, Rising Edge, and Falling Edge, and each of them uses the corresponding characteristic of the input signal as a trigger.
Allows a triggering rate, compatible with the camera frame rate, to be derived from higher frequency input signals.
Allows a triggering rate, compatible with the camera frame rate, to be derived from lower frequency input signals. Available multiplier range: 1 to 15.
Displays the final rate of the camera system.
eSync ports vs eSync2
In the eSync 2, three general input ports are implemented in place of Lo-Z and Hi-Z input ports from the eSync. These general input ports are designed for high impedance devices, but low impedance devices can also be connected with appropriate adjustments. When the eSync is connected to the system, options for Lo-Z and Hi-Z will be displayed.
Lo-Z input: Sets an external low impedance device as the trigger. The max signal voltage cannot exceed 5 Volts.
Hi-Z input: Sets an external high impedance device as the trigger. The max signal voltage cannot exceed 5 Volts.
Allows you to configure signal type and polarity of synchronization signal through the output ports, including the VESA stereo output port, on the eSync2.
Defines the output signal type of the eSync2. Use this to sync external devices to the eSync2.
Polarity
Change the polarity of the signal to normal or inverted. Normal signals constantly output a low signal and pulses high when triggering. Inverted signals constantly output a high signal and pulse low when triggering.
Output Signal Types
Trigger Source: Determines which trigger source is used to initiate the recording in Motive. Available options are Software, Isolated, and Inputs. When the trigger source set to software, recording is initiated in Motive.
Input Monitor displays the corresponding signal input frequency. This feature is used to monitor the synchronization status of the signals into the eSync 2.
Internal Clock: Displays the frequency of the Internal Clock in the eSync 2.
SMTPE Time Code In: Displays the frequency of the timecode input.
Video Genlock In: Displays the frequency of the video genlock input.
Inputs: Displays the frequency of the input signals into the eSync 2.
Lo-Z: Displays the frequency of the external low impedance sync device.
Hi-Z: Displays the frequency of the external high impedance sync device.
Isolated: Display the frequency of the external generic sync device.
Reserved: For internal use only.
| Trigger | Description |
|---|---|
| Output | Description |
|---|---|
Properties of individual channels can be configured directly from the Devices pane. As shown in the image, you can click on the icon to bring up the settings and make changes.
| Resolution | Max Frame Rate |
|---|---|
Data output from the entire camera system can be monitored through the Status Panel. Output from individual cameras can be monitored from the 2D Camera Preview pane when the Camera Info is enabled under the visual aids () option.
Marks the best take. Takes that are marked as best can also be accessed via scripts.
Shows mean offset value during calibration.
Displays percentile distribution of the errors.
The camera filter settings in the Take properties determine which IR lights from the recorded 2D camera data contributes to the when re-calulating the 3D data when needed.
For more information on these settings in Live mode, please refer to the page.
The Solver/Reconstruction settings under the Take properties are the 3D data solver parameters that were used to obtain the saved in the Take file. In Edit mode, you can change these parameters and perform the to obtain a new set of 3D data with the modified parameters.
For more information on these settings in Live mode, please refer to the page.
| Input Source | Description |
|---|
| Type | Description |
|---|
Note: For capturing multiple recordings via recording trigger, only the first TAK will contain the 3D data. For the subsequent TAKs_, the 3D data must be reconstructed through the_ pipeline.
Open the and the to access the eSync 2 properties.
| Input Source |
|---|
| Type | Description |
|---|
Either Edge
Uses either the rising or falling edge of the pulse signal.
Rising Edge
Uses the rising edge of the pulse signal.
Falling Edge
Uses the falling edge of the pulse signal.
High Gated
High Gated mode triggers when the input signal is at a high voltage level, but stops triggering at a low voltage level.
Low Gated
Low Gated mode triggers when the input signal is at a low voltage level, but stops triggering at a high voltage level.
Exposure Time
Outputs a pulse signal when the cameras expose.
Pass-Through
Passes the input signal to the output.
Recording Gate
Outputs a constant high level signal while recording. Other times the signal is low. (Referred as Recording Level in older versions).
Gated Exposure Time
Outputs a pulse signal when the cameras expose during a recording only. (Referred as Recording Pulse in older versions).
960 x 540 (540p)
500 FPS
1280 x 720 (720p)
360 FPS
1920 x 1080 (1080p)
250 FPS
Internal Free Run | This is the default synchronization protocol for Ethernet camera systems without an eSync2. In this mode, Prime series cameras are synchronized by communicating the time information with each other through the camera network itself using a high-precision algorithm for timing synchronization. |
Internal Clock | Sets the eSync 2 to use its internal clock to deliver the sync signal to the Ethernet cameras, and the sync signal can be modified as well. |
SMPTE Timecode In | Sets a timecode sync signal from an external device as the input source signal. |
Video Gen Lock | Locks the camera sync to an external video sync signal. |
Isolated | Used for generic sync devices connected to the Isolated Sync In port from the eSync 2. Considered safer than other general input ports (Hi-Z and Lo-Z). The max signal voltage cannot exceed 12 Volts. |
Inputs | Uses signals through the input ports of the eSync 2. Used for high impedance output devices. The max signal voltage cannot exceed 5 Volts. |
VESA Stereo In | Sets cameras to sync to signal from the VESA Stereo input port. |
Reserved | Internal use only. |
Exposure Time | Outputs a pulse signal when the cameras expose. |
Recording Gate | Outputs a constant high level signal while recording. Other times the signal is low. |
Record Start/Stop Pulse | Outputs a pulse signal both when the system starts and stops recording. |
Gated Exposure Time | Outputs a pulse signal when the cameras expose, when the system is recording. |
Gated Internal Clock | Outputs the internal clock, while the system is recording. |
Selected Sync | Outputs the Sync Input signal without factoring in signal modifications (e.g. input dividers). |
Adjusted Sync | Outputs the Sync Input signal accounting for adjustments made to the signal. |
| Uses a selected input signal to generate the synchronization output signal. |
Internal Free Run | This is the default synchronization protocol for Ethernet camera systems without an eSync 2. In this mode, Prime series cameras are synchronized by communicating the time information with each other through the camera network itself using a high-precision algorithm for timing synchronization. |
Internal Clock | Sets the eSync 2 to use its internal clock to deliver the sync signal to the Ethernet cameras, and the sync signal can be modified as well. |
SMPTE Timecode In | Sets a timecode sync signal from an external device as the input source signal. |
Video Gen Lock | Locks the camera sync to an external video sync signal. |
Isolated | Used for generic sync devices connected to the Isolated Sync In port from the eSync 2. Considered safer than other general input ports (Hi-Z and Lo-Z). The max signal voltage cannot exceed 12 Volts. |
Inputs | Uses signals through the input ports of the eSync2. Used for high impedance output devices. The max signal voltage cannot exceed 5 Volts. |
VESA Stereo In | Sets cameras to sync to signal from the VESA Stereo input port. |
Reserved | Internal use only. |
Exposure Time | Outputs a pulse signal when the cameras expose. |
Recording Gate | Outputs a constant high level signal while recording. Other times the signal is low. |
Record Start/Stop Pulse | Outputs a pulse signal both when the system starts and stops recording. |
Gated Exposure Time | Outputs a pulse signal when the cameras expose, when the system is recording. |
Gated Internal Clock | Outputs the internal clock, while the system is recording. |
Selected Sync | Outputs the Sync Input signal without factoring in signal modifications (e.g. input dividers). |
Adjusted Sync | Outputs the Sync Input signal accounting for adjustments made to the signal. |
| Uses a selected input signal to generate the synchronization output signal. |
