During Calibration process, a calibration square is used to define global coordinate axes as well as the ground plane for the capture volume. Each calibration square has different vertical offset value. When defining the ground plane, Motive will recognize the square and ask user whether to change the value to the matching offset.
| Square Type | Descriptions |
|---|---|
When creating a custom ground plane, you can use Motive to help you move the markers to create approximately 90 degree between the 3 markers. This is of course contingent on how good your calibration is, however, this will still give you a fairly accurate starting point when setting your ground plane.
For Motive 1.7 or higher, Right-Handed Coordinate System is used as the standard, across internal and exported formats and data streams. As a result, Motive 1.7 now interprets the L-Frame differently than previous releases:
CS-200:
Long arm: Positive z
Short arm: Positive x
Vertical offset: 19 mm
Marker size: 14 mm (diameter)
CS-400: Used for general for common mocap applications. Contains knobs for adjusting the balance as well as slots for aligning with a force plate.
Long arm: Positive z
Short arm: Positive x
Vertical offset: 45 mm
Marker size: 19 mm (diameter)
Legacy L-frame square: Legacy calibration square designed before changing to the Right-hand coordinate system.
Long arm: Positive z
Short arm: Negative x
Custom Calibration square: Position three markers in your volume in the shape of a typical calibration square (creating a ~90 degree angle with one arm longer than the other). Then select the markers to set the ground plane.
Long arm: Positive z
Short arm: Negative x
CS-100: Used to define a ground plane in a small, precise motion capture volumes.
Long arm: Positive z
Short arm: Positive x
Vertical offset: 11.5 mm
Marker size: 9.5 mm (diameter)
This page provides detailed information on the continuous calibration feature, which can be enabled from the Calibration pane.
The Continuous Calibration feature ensures your system always remains optimally calibrated, requiring no user intervention to maintain the tracking quality. It uses highly sophisticated algorithms to evaluate the quality of the calibration and the triangulated marker positions. Whenever the tracking accuracy degrades, Motive will automatically detect and update the calibration to provide the most globally optimized tracking system.
Ease of use. This feature provides much easier user experience because the capture volume will not have to be re-calibrated as often, which will save a lot of time. You can simply enable this feature and have Motive maintain the calibration quality.
Optimal tracking quality. Always maintains the best tracking solution for live camera systems. This ensures that your captured sessions retain the highest quality calibration. If the system receives inadequate information from the environment, the calibration with not update and your system never degrades based on sporadic or spurious data. A moderate increase in the number of real optical tracking markers in the volume and an increase in camera overlap improves the likelihood of a higher quality update.
Works with all camera types. Continuous calibration works with all OptiTrack camera models.
For continuous calibration to work as expected, the following criteria must be met:
Live Mode Only. Continuous calibration only works in Live mode.
Markers Must Be Tracked. Continuous calibration looks at tracked reconstructions to assess and update the calibration. Therefore, at least some number of markers must be tracked within the volume.
Majority of Cameras Must See Markers. A majority of cameras in a volume needs to receive some tracking data within a portion of their field of view in order to initiate the calibration process. Because of this, traditional perimeter camera systems typically work the best. Each camera should additionally see at least 4 markers for optimal calibration. If not all the cameras see the markers at the same time, anchor markers will need to be set up to improve the calibration updates.
To enable Continuous Calibration, calibrate the camera system first and enable the Continuous Calibration setting at the bottom of the Calibration pane. Once enabled, Motive continuously monitors the residual values in captured marker reconstructions, and when the updated calibration is better than the existing one, it will get updated automatically. Please note that at least four (default) marker samples must be being tracked in the volume for the continuous calibration to work. You will also be able to monitor the sampling progress and when the calibration has been last updated.
Anchor markers can be set up in Motive to further improve continuous calibration. When properly configured, anchor markers improve continuous calibration updates, especially on systems that consists of multiple sets of cameras that are separated into different tracking areas, by obstructions or walls, without camera view overlap. It also provides extra assurance that the global origin will not shift during each updates; although the continuous calibration feature itself already checks for this.
Follow the steps below for setting up the anchor marker in Motive:
Adding Anchor Markers in Motive
First, make sure the entire camera volume is fully calibrated and prepared for marker tracking.
Place any number of markers in the volume to assign them as the anchor markers.
Make sure these markers are securely fixed in place within the volume. It's important that the distances between these markers do not change throughout the continuous calibration updates.
Open the Calibration pane and select the second page at the bottom to access the anchor marker feature.
In the 3D viewport, select the markers that are going to be assigned as anchors.
Click on Add to add the selected markers as anchor markers.
Once markers are added as anchor markers, magenta spheres will appear around the markers indicating the anchors have been set.
Add more anchors as needed, again, it's important that these anchor markers do not move throughout the tracking. Also when the anchor markers need to be reset, whether if the marker was displaced, you can clear the anchor markers and reassign them.
For multi-room setups, it is useful to group cameras into partitions. This allows for Continuous Calibration to run in each individual room without the need for camera view overlap.
From the Properties pane of a camera you can assign a Partition ID from the advanced settings.
You'll want to assign all the cameras in the same room the same Partition ID. Once assigned these cameras will all contribute to Continuous Calibration for their particular space. This will help ensure the accuracy of Continuous Calibration for each individual space that is a part of the whole system.
In the event that you need to manually adjust cameras in the 3D view, you can enable Editable in 3D View in General Settings. To access this setting, you'll need to select Show Advanced from the 3-dot more options dropdown at the top. This will populate a Calibration section on this window.
This allows you to use the Gizmo Tools to Translate, Rotate, and Scale cameras to their desired locations.
For a full list of Log pane Continuous Calibration statuses, please see the Log pane page.
This notice indicates the need for more markers to be visible by a particular camera. For instance, if camera 2 is not seeing enough markers in its camera view, the Log pane will inform you that you need more markers for that particular camera.
This indicates the need for more markers to be spread in more areas of the camera view.
This page provides detailed instructions on camera system calibration and information about the Calibration pane.
Calibration is essential for high quality optical motion capture systems. During calibration, the system computes position and orientation of each camera and amounts of distortions in captured images, and they are used constructs a 3D capture volume in Motive. This is done by observing 2D images from multiple synchronized cameras and associating the position of known calibration markers from each camera through triangulation.
Please note that if there is any change in a camera setup over the course of capture, the system must be recalibrated to accommodate for changes. Moreover, even if setups are not altered, calibration accuracy may naturally deteriorate over time due to ambient factors, such as more or less light entering the capture volume as the day progresses and fluctuation in temperature. Thus, for accurate results, it is recommended to periodically calibrate the system.
Prepare and optimize the capture volume for setting up a motion capture system.
Apply masks to ignore existing reflections in the camera view.
Collect calibration samples through the wanding process.
Review the wanding result and apply calibration.
Set the ground plane to complete the system calibration.
Cameras need to be appropriately placed and configured to fully cover the capture volume.
Each camera must be mounted securely so that they remain stationary during capture.
Motive's camera settings used for calibration should ideally remain unchanged throughout the capture. Re-calibration may be required if there is any significant modifications to the settings that influence the data acquisition, such as camera settings, gain settings, and Filter Switcher settings.
Before performing system calibration, all extraneous reflections or unnecessary markers should ideally be removed or covered so that they are not seen by the cameras. If this is not possible, extraneous reflections can be ignored by applying masks over them in Motive.
Masks can be applied by clicking Mask in the calibration pane, and it will apply red masks over all of the reflections detected in the 2D camera view. Once masked, the pixels in the masked regions will entirely be filtered out from the data. Please note that Masks get applied additively, so if there are already masks applied in the camera view, clear them out first before applying a new one.
Active Wanding:
Applying masks to camera views only applies to calibration wands with passive markers. Active calibration wands are capable of calibrating the capture volume while the LEDs of all the cameras are turned off. If the capture has a large amount reflective material that cannot be moved, this method highly recommended.
Check the calibration pane to see if any of the cameras are seeing extraneous reflections or noise in their view.
Check the corresponding camera view to identify where the extraneous reflection is coming from, and if possible, remove them from the capture volume or cover them so that the cameras do not see them.
In the Calibration pane, click Mask to apply masks over all of the existing reflections in the view.
Masking from the Cameras Viewport
You should be careful when using the masking features because masked pixels are completely filtered from the 2D data. In other words, the data in masked regions will not be collected for computing the 3D data, and excessive use of masking may result in data loss or frequent marker occlusions. For this reason, all removable reflective objects must be taken out or covered before the using the masking tool so the masking can be minimized. After all reflections are removed or masked from the view, proceed onto the wanding process.
The wanding process is the core pipeline for collecting calibration sample into Motive. A calibration wand is waved in front of the cameras repeatedly throughout the volume, allowing all cameras to see the calibration markers. Through this process, each camera captures sample data points in order to compute their respective position and orientation in the 3D space.
It is important to understand the requirements of good wanding samples. For a streamline process, the following requirements must be met:
At least two, or more, cameras must see all of the three calibration markers simultaneously.
Cameras should only see calibration markers. If any other reflection or noise is detected during the wanding process, the sample will not be collected and may affect the calibration result negatively. For this reason, person who is wanding should not be wearing anything reflective.
The markers on the calibration wand must be in good quality. If the marker surface is damaged or scuffed, the system may struggle to collect wanding samples.
There are different types of calibration wands suited for different capture applications.\
Calibration Wands
CW-500: The CW-500 calibration wand has a wand-width of 500mm when the markers are placed in the configuration A. This wand is suitable for calibrating a large size capture volume because the markers are spaced out further apart, allowing the cameras to easily capture individual markers even at long distances.
CW-500 Active:Hosting the same dimensions as the CW-500, the active version is recommended for capture volumes that have a large amount of reflective material that cannot be removed. This wand calibrates the volume while the LEDs of all mounted cameras are turned off.
CW-250: The CW-250 calibration wand has a wand-width of 250mm. This wand is suitable for calibrating small to medium size volumes. With narrower wand-width, it allows cameras, that are set up in a smaller volume, to be able to easily capture all three calibration markers within the same frame. CW-500 wand can also be used like CW-250 wand if the markers are positioned at configuration B.
CWM-125 / CWM-250: Both CWM-125 and CWM-250 wands are designed for calibrating the system for precision capture applications. The accuracy of the calibrated wand width is most precise and reliable on these wands, and they are most suitable for doing precision capture in a small volume capture applications.
Before starting the wanding process, if any of the cameras are detecting extraneous reflections, return to the masking steps and make sure they are either masked or removed.
Set the Calibration Type. If you are calibrating a new capture volume, choose Full Calibration.
Under the Wand settings, specify the wand that you will be using to calibrate the volume. It is very important to input the matching wand size here. When an incorrect dimension is given to Motive, the calibrated 3D volume will be scaled incorrectly.
Double check the calibration setting. Once confirmed, press Start Wanding to start collecting the wanding sample. Here, do not have any specific camera selected if you wish to perform calibration for the entire camera system.
Start wanding. Bring your calibration wand into the capture volume and start waving the wand gently across the entire capture volume. Gently draw figure-eight repetitively with the wand to collect samples at varying orientations and cover as much space as possible for sufficient sampling. Wanding trails will be shown in colors on the 2D view. A table displaying the status of the wanding process will show up in the Calibration pane to monitor the progress. For best results, wand the volume evenly and comprehensively throughout the volume, covering both low and high elevations. If you wish to start calibrating inside the volume, cover one of the markers and expose it wherever you wish to start wanding. When at least two cameras detect all the three markers while no other reflections are present in the volume, the wand will be recognized, and Motive will start collecting samples.
You'll want to wand until the camera squares in the Calibration pane turn from dark green (insufficient amount of samples) to light green (sufficient amount of samples). Once all the squares have turned light green the Start Calculating button will now be active.
After wanding throughout all areas of the volume, consult the each 2D view from the Camera Preview Pane to evaluate individual camera coverage. Each camera should be thoroughly covered with wand samples. If there are any large gaps, attempt to focus wanding on those to increase coverage. When sufficient amounts of calibration samples are collected by each camera, press Calculate in the Calibration Pane, and Motive will start calculating the calibration for the capture volume. Generally, 1,000-4,000 samples are enough. Samples above this threshold are unnecessary and can actually be detrimental to a calibration's accuracy.
Wanding Tips
Avoid waving the wand too fast. This may introduce bad samples.
Avoid wearing reflective clothing or accessories while wanding. This can introduce extraneous samples which can negatively affect the calibration result.
Try not to collect samples beyond 10,000. Extra samples could negatively affect the calibration.
Try to collect wanding samples covering different areas of each camera view. The status indicator on Prime cameras can be used to monitor the sample coverage on individual cameras.
Although it is beneficial to collect samples all over the volume, it is sometimes useful to collect more samples in the vicinity of the target regions where more tracking is needed. By doing so, calibration results will have a better accuracy in the specific region.
Marker Labeling Mode
When performing calibration wanding, please make sure the Marker Labeling Mode is set to the default Passive Markers Only setting. This setting can be found under Application Settings: Application Settings → Live-Reconstruction tab → Marker Labeling Mode. There are known problems with wanding in one of the active marker labeling modes. This applies for both passive marker calibration wands and IR LED wands.
For Prime series cameras, the LED indicator ring displays the status of the wanding process. As soon as the wanding is initiated, the LED ring will turn dark. When a camera is detecting all three markers on the calibration wand, a part of its LED ring will glow blue to indicate that the camera is collecting samples, and the clock-position of the blue light will indicate the wand position in the respective camera view. As calibration samples are collected by each camera, green lights will fill up around the ring to provide feedback on whether enough samples have been collected. Eventually, we want all of the cameras to be filled with a bright green light to make sure enough samples covering all areas of the camera view are collected. Also, starting from Motive 3.0, any cameras that do not have enough samples collected towards the end of the wanding process, the ring light will start glow in white.
For more information on camera status indicators, please visit our wiki page here.
Calibration Type
You can selected different calibration types before wanding: Full and Refine
Full: Calibrate cameras from scratch, discarding any prior known position of the camera group or lens distortion information. A Full calibration will also take the longest time to run.
Refine: Adjusts slight changes on the calibration of the cameras based on prior calibrations. This will solve faster than a Full calibration. Only use this if your previous calibration closely reflects the placement of cameras. In other words, Refine calibration only works if you do not move the cameras significantly from when you last calibrated them. Only slight modifications can be allowed in camera position and orientation, which often occurs naturally from the environment such as mount expansion.
Refinement results will be poor if a full calibration has not been completed previously on the selected cameras.
After sufficient marker samples have been collected, press Start Calculating to calibrate using collected samples. The time needed for the calculation varies depending on the number of cameras included in the setup as well as the number of collected samples. As Motive starts calculating, blue wanding paths will be displayed on the view panes, and Calibration pane will provide visual feedback on calibration result of each camera. If you click Show list, you can check amount of error on each camera also.
Tip: Calibration details for recorded Takes can also be reviewed. Select a Take in the Data pane, and related calibration results will be displayed under the Properties pane. This information is available only for Takes recorded in Motive 1.10 and above.
After the calculation, a calibration result will be reported in the Calibration pane. The result is directly related to the mean error and the calibration result tiers are (on order from worst to best): Poor, Fair, Good, Great, Excellent, and Exceptional. If the results are acceptable, press Continue to apply the calibration. If not, press cancel and repeat the wanding process. In general, if it reports anything below excellent, you might want to adjust camera settings, wanding techniques, and try again.
Calibration Result
The final step of the calibration process is setting the ground plane and the origin. This is accomplished by placing the calibration square in your volume and telling Motive where the calibration square is. Place the calibration square inside the volume where you want the origin to be located and the ground plane to be leveled to. The position and orientation of the calibration square will be referenced for setting the coordinate system in Motive. Align the calibration square so that it references the desired axis orientation.
The longer leg on the calibration square will indicate the positive z axis, and shorter leg will indicate the direction of the positive x axis. Accordingly, the positive y axis will automatically be directed upward in a right-hand coordinate system. Next step is to use the level indicator on the calibration square to ensure the orientation is horizontal to the ground. If any adjustment is needed, rotate the nob beneath the markers to adjust the balance of the calibration square.
After confirming that the calibration square is properly placed and detected by the Calibration pane, press Set Ground Plane. You may need to manually select the markers on the ground plane if Motive fails to auto-detect the ground plane. If needed, the ground plane can be adjusted later.
Custom calibration square can also be used to define the ground plane. A set of three markers will be needed, and for accurate ground plane, these markers need to form a right-angle with one arm longer than the other, just like the shape of the calibration square. When using a custom calibration square, select Custom in the drop-down menu, manually input the correct vertical offset and select the markers before setting the ground plane.
Vertical offset
The Vertical Offset is the offset distance between the center of markers on the calibration square and the actual ground. For custom calibration square, you will need to define this in order to take account of the offset distance and sets the global origin slightly below the markers. Accordingly, this value should correspond to the actual distance between the center of the marker and the lowest tip at the vertex of the calibration square. This setting can also be used when you want to place the ground plane at a specific elevation. A positive offset value will place the plane below the markers, and a negative value will place the plane above the markers.
Ground Plane Refinement feature is used to improve the leveling of the coordinate plane. To refine the ground plane, use the bottom page selector to access the refine page. Then, place several markers with a known radius on the ground, and adjust the vertical offset value to the corresponding radius. You can then select these markers in Motive and press Refine Ground Plane, and it will refine the leveling of the plane using the position data from each marker. This feature is especially useful when establishing a ground plane for a large volume, because the surface may not be perfectly uniform throughout the plane.
If you wish to adjust position and orientation of the global origin after the capture has been taken, you can apply the capture volume translation and rotation from the Calibration pane. For applying changes to recorded Takes, Anew set of 3D data must be reconstructed from the recorded 2D data after the modification has been applied.
Calibration files can be used to preserve calibration results. The information from the calibration is exported or imported via the CAL file format. Calibration files reduce the effort of calibrating the system every time you open Motive. Calibration files will be automatically saved into the default folders after each calibration but in general, it is suggested to export calibration before each capture session. By default, Motive loads the last calibration file that was created, this can be changed via the Application Settings.
Note: Whenever there is a change to the system setup (e.g. cameras moved) these calibration files will no longer be relevant and the system will need to be recalibrated.
The continuous calibration feature continuously monitors and refines the camera calibration to its best quality. When enabled, minor distortions to the camera system setup can be adjusted automatically without wanding the volume again. In other words, you can calibrate a camera system once and you will no longer have to worry about external distortions such as vibrations, thermal expansion on camera mounts, or small displacements on the cameras. For detailed information, read through the Continuous Calibration page.
Enabling/Disabling Continuous Calibration
Continuous calibration can be enabled, or disabled, from the Calibration Pane once a system has been calibrated. It will also show when the continue calibration has updated last time.
When capturing throughout a whole day, temperature fluctuations may degrade calibration quality and you will want to recalibrate the capture volume at different times of the day. However, repeating entire calibration process could be tedious and time-consuming especially with a high camera count setup. In this case, instead of repeating the entire calibration process, you can just record Takes with the wand waves and the calibration square, and use the take to re-calibrate the volume in the post-processing. This offline calibration can save calibration calculation time on the capture day because you can process the recorded wanding take in the post-processing instead. Also, the users can inspect the collected capture data and decide to re-calibrate the recorded Take only when any signs of degraded calibration quality is seen from the captures.
Offline Calibration Steps
1) Capture wanding/ground plane takes. At different times of the day, record wanding Takes that closely resembles the calibration wanding process. Also record corresponding ground plane Takes with calibration square set in the volume for defining the ground plane.
Whenever a system is calibrated, a Calibration Wanding file gets saved and it could be used to reproduce the calibration file through the offline calibration process.
2) Load the recorded Wanding _Take_. If you wish to re-calibrate the cameras for captured Takes during playback, load the wanding take that was recorded around the same time.
3) Motive: Calibration pane. In the Edit mode, press Start Wanding. The wanding samples from recorded 2D data will be loaded.
4) Motive: Calibration pane. Press Calculate, and wait until the calculation process is complete.
5) Motive: Calibration pane. Apply Result and export the calibration file. File tab → Export Camera Calibration.
6) Load the recorded Ground Plane _Take_.
7) Open the saved calibration file. With the Ground Plane Take loaded in Motive, open the exported calibration file, and the saved camera calibration will be applied to the ground plane take.
8) Motive: Perspective View. From 2D data of the Ground Plane Take, select the calibration square markers.
9) Motive: Calibration pane: Ground Plane. Set the Ground plane.
10) Motive: Perspective View. Switch back to the Live mode. The recorded Take is now re-calibrated.
The partial calibration feature allows you to update the calibration for some selection of cameras in a system. The way this feature works is by updating the position of the selected cameras relative to the already calibrated cameras. This means that you only need to wand in front of the selected cameras as long as there is at least one unselected camera that can also see the wand samples.
This feature is especially helpful for high camera count systems where you only need to adjust a few cameras instead of re-calibrating the whole system. One common way to get into this situation is by bumping into a single camera. Partial calibrations allow you to quickly re-calibrate the single bumped camera that is now out of place. This feature is also useful for those who need to do a calibration without changing the location of the ground plane. The reason the ground plane does not need to be reset is because as long as there is at least one unselected camera Motive can use that camera to retain the position of the ground plane relative to the cameras.
Partial Calibration Steps
Open the Calibration Pane.
Set Calibration Type: In most cases you will want to set this to Full, but if the camera only moved slightly Refine works as well.
Specify the wand type.
From the Calibration Pane, click Start Wanding. A pop-up dialogue will appear indicating that only selected cameras are being calibrated.
Choose Calibrate Selected Cameras from the dialogue window.
Wave the calibration wand mainly within the view of the selected cameras.
Click Calculate. At this point, only the selected cameras will have their calibration updated.
Notes:
This feature relies on the fact that the unselected cameras are in a good calibration state. If the unselected cameras are out of calibration, then using this feature will return bad calibration.
Partial calibration does not update the calibration of unselected cameras. However, the calibration report that Motive provides does include all cameras that received samples, selected or unselected.
The partial calibration process can also be used for adding new cameras onto existing calibration. Use Full calibration type in this case.
Cameras can be modified using the gizmo tool if the Settings Window > General > Calibration > "Editable in 3D View" property is enabled. Without this property turned on the gizmo tool will not activate when a camera is selected to avoid accidentally changing a calibration. The process for using the gizmo tool to fix a misaligned camera is as follows:
Select the camera you wish to fix, then view from that camera (Hotkey: 3).
Select either the Translate or Rotate gizmo tool (Hotkey: W or E).
Use the red diamond visual to align the unlabeled rays roughly onto their associated markers.
Right lock then choose "Correct Camera Position/Orientation". This will perform a calculation to place the camera more accurately.
Turn on Continuous Calibration if not already done. Continuous calibration should finish aligning the camera into the correct location.
The OptiTrack motion capture system is designed to track retro-reflective markers. However, active LED markers can also be tracked with appropriate customization. If you wish to use Active LED markers for capture, the system will ideally need to be calibrated using an active LED wand. Please contact us for more details regarding Active LED tracking.
By default, Motive will start up on the calibration layout containing necessary panes for the calibration process. This layout can also be accessed by clicking on a calibration layout from the top-right corner , or by using the Ctrl+1 hotkey.
The Calibration pane will guide you through the calibration process. This pane can be accessed by clicking on the icon on the toolbar or by entering the calibration layout from the top-right corner . For a new system calibration, click the New Calibration button and it will take you to the next step.
When the cameras detect reflections in their view, it will be indicated with a warning sign to alert which cameras are seeing reflections; for Prime series cameras, the indicator LED ring will also light up in white.
Masks can also be applied from the Cameras viewport if needed. In the view pane, while the cameras view is selected, click on the gear icon on the toolbar and options to apply auto-mask or clear existing masks will be listed. You can also click on the icon to switch to different modes for manually applying and/or erasing masks.
| Category | Description |
|---|---|
Mean Ray Error
The Mean Ray Error reports a mean error value on how closely the tracked rays from each camera converged onto a 3D point with a given calibration. This represents the preciseness of the calculated 3D points during wanding. Acceptable value will vary depending on the size of the volume and camera count.
Mean Wand Error
The Mean Wand Error reports a mean error value of the detected wand length compared to the expected wand length throughout the wanding process.
